And The Fires We Talked About–is Available NOW!


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Kelly’s stories are tough, real, honest, and always true. Unadorned by gimmick or artifice, the pieces in this collection—all framed between the imagined voices of that most primal couple, Adam and Eve—carry us deep into the heart of a wild American world that in many ways (and most definitely for a lot of younger people) sadly no longer exists. The human settings of these stories—bars, strip clubs, dingy apartments, goldmines, ranches, logging crews, homesteads, highways—are rich with details and textures that linger long after the closing sentences. Beyond those, however, there’s always a sense of something even larger and older surrounding the often small, sometimes strange, yet always compelling events his narrators are recounting. Sometimes this larger thing is the natural world—the oceans and forests, the plants and animals—always placing the events into their proper context. At other times, it’s the human interactions themselves that somehow seem to take on this greater, at times even mythic, weight and power. Reading these pieces, we recognize how the hungers and desires, the fears and hopes, the regrets and epiphanies of his people have all somehow entered our cultural DNA, and how—like them–it’s up to each of us to come to terms with all the beauty and terror that comes with being alive.

Dave Sims

After 30+ years of teaching in colleges, universities, military bases, and prisons from Alaska to Louisiana, Dave Sims retired to the mountains of central Pennsylvania where he now dwells and creates. His most recent comix appear in The Nashville Review, Talking Writing, and Freeze Ray, and panels from his digital painting sequence “Somewhere Around the Edges,” appear on the cover and in the Winter 2019 issue of The Raw Art Review.

 

What Oregon authors say about this book:

“This book is good company. And I appreciate the opportunity to associate with intriguing folks out there where I rarely venture.”

Lawson Fusao Inada, emeritus professor of English at Southern Oregon University, Oregon Poet Laureate, and author of Before the War: Poems as They Happened, and Legends from Camp, which won an American Book Award in 1994.

“The remarkable thing about this collection—how often it touched my heart. These stories have a soul.”

Robert Leo Heilman, author Children of Death, and  Overstory Zero: Real Life in Timber Country (Winner of the Andres Berger Award for Pacific Northwest Nonfiction 1996).

 

‘Love, in the Christian sense’ C.S. Lewis


C.S. Lewis‘Charity’ now means simply what used to be called ‘alms’—that is, giving to the poor. Originally it had a much wider meaning. (You can see how it got the modern sense. If a man has ‘charity’, giving to the poor is one of the most obvious things he does, and so people came to talk as if that were the whole of charity. In the same way, ‘rhyme’ is the most obvious thing about poetry, and so people come to mean by ‘poetry’ simply rhyme and nothing more.) Charity means ‘Love, in the Christian sense’. But love, in the Christian sense, does not mean an emotion. It is a state not of the feelings but of the will; that state of the will which we have naturally about ourselves, and must learn to have about other people.

Lewis, C. S. (2009-05-28). Mere Christianity (p. 129). Harper Collins, Inc.. Kindle Edition.

God is Love–C.G. Jung


 
'I sometimes feel that Paul’s words—“Though I speak with the tongues of men and of angels, and have not love”—might well be the first condition of all cognition and the quintessence of divinity itself. Whatever the learned interpretation may be of the sentence “God is love,” the words affirm the complexio oppositorum of the Godhead. In my medical experience as well as in my own life I have again and again been faced with the mystery of love, and have never been able to explain what it is. Like Job, I had to “lay my hand on my mouth. I have spoken once, and I will not answer.” (Job 40:4 f.) Here is the greatest and smallest, the remotest and nearest, the highest and lowest, and we cannot discuss one side of it without also discussing the other. No language is adequate to this paradox. Whatever one can say, no words express the whole. To speak of partial aspects is always too much or too little, for only the whole is meaningful. Love “bears all things” and “endures all things” (1 Cor. 13:7). These words say all there is to be said; nothing can be added to them. For we are in the deepest sense the victims and the instruments of cosmogonic “love.” I put the word in quotation marks to indicate that I do not use it in its connotations of desiring, preferring, favoring, wishing, and similar feelings, but as something superior to the individual, a unified and undivided whole. Being a part, man cannot grasp the whole. He is at its mercy. He may assent to it, or rebel against it; but he is always caught up by it and enclosed within it. He is dependent upon it and is sustained by it. Love is his light and his darkness, whose end he cannot see. “Love ceases not”—whether he speaks with the “tongues of angels,” or with scientific exactitude traces the life of the cell down to its uttermost source. Man can try to name love, showering upon it all the names at his command, and still he will involve himself in endless self-deceptions. If he possesses a grain of wisdom, he will lay down his arms and name the unknown by the more unknown, ignotum per ignotius—that is, by the name of God. That is a confession of his subjection, his imperfection, and his dependence; but at the same time a testimony to his freedom to choose between truth and error. Jung, C.G.; Jaffe, Aniela (2011-01-26). Memories, Dreams, Reflections (Kindle Locations 6147-6163). Random House, Inc.. Kindle Edition.'

I sometimes feel that Paul’s words—“Though I speak with the tongues of men and of angels, and have not love”—might well be the first condition of all cognition and the quintessence of divinity itself. Whatever the learned interpretation may be of the sentence “God is love,” the words affirm the complexio oppositorum of the Godhead. In my medical experience as well as in my own life I have again and again been faced with the mystery of love, and have never been able to explain what it is. Like Job, I had to “lay my hand on my mouth. I have spoken once, and I will not answer.” (Job 40:4 f.) Here is the greatest and smallest, the remotest and nearest, the highest and lowest, and we cannot discuss one side of it without also discussing the other. No language is adequate to this paradox. Whatever one can say, no words express the whole. To speak of partial aspects is always too much or too little, for only the whole is meaningful. Love “bears all things” and “endures all things” (1 Cor. 13:7). These words say all there is to be said; nothing can be added to them. For we are in the deepest sense the victims and the instruments of cosmogonic “love.” I put the word in quotation marks to indicate that I do not use it in its connotations of desiring, preferring, favoring, wishing, and similar feelings, but as something superior to the individual, a unified and undivided whole. Being a part, man cannot grasp the whole. He is at its mercy. He may assent to it, or rebel against it; but he is always caught up by it and enclosed within it. He is dependent upon it and is sustained by it. Love is his light and his darkness, whose end he cannot see. “Love ceases not”—whether he speaks with the “tongues of angels,” or with scientific exactitude traces the life of the cell down to its uttermost source. Man can try to name love, showering upon it all the names at his command, and still he will involve himself in endless self-deceptions. If he possesses a grain of wisdom, he will lay down his arms and name the unknown by the more unknown, ignotum per ignotius—that is, by the name of God. That is a confession of his subjection, his imperfection, and his dependence; but at the same time a testimony to his freedom to choose between truth and error.

Jung, C.G.; Jaffe, Aniela (2011-01-26). Memories, Dreams, Reflections (Kindle Locations 6147-6163). Random House, Inc.. Kindle Edition.

James Kelly added a new photo.