At the epicenter of three explosive forces in 1950s America—the birth of Bebop, the spread of Buddhism through the counterculture, and Beat revolutionizing of poetry and prose—sat Jack Kerouac, though I don’t picture him ever sitting for very long.
At the epicenter of three explosive forces in 1950s America—the birth of Bebop, the spread of Buddhism through the counterculture, and Beat revolutionizing of poetry and prose—sat Jack Kerouac, though I don’t picture him ever sitting for very long.
St. John One: One 